Credit: © Ivan Kožarić
Release Date: May 5, 2014
Second Part of Other Primary Structures Opens May 25
Featuring Works Influenced by Primary Structures, the Seminal 1966 Exhibition of International Sculpture
New York, NY — The second part of the Jewish Museum’s exhibition of global sculpture from the 1960s, Other Primary Structures, will open on May 25. Other Primary Structures features the work of artists from Latin America, Asia, Africa, the Middle East, and Eastern Europe, much of which has rarely been seen in the United States. Presented in two parts, Other Primary Structures revisits the premise of and builds upon the Museum’s seminal 1966 exhibition Primary Structures: Younger American and British Sculptors, the first American museum exhibition to survey the style now known as Minimalism. Primary Structures introduced the public to such artists as Carl Andre, Dan Flavin, Donald Judd, Sol LeWitt, Walter De Maria, Robert Morris, Anne Truitt, and others, figures unknown at the time but soon to become synonymous with a radically new approach to sculpture. Nearly 50 years later, Other Primary Structures revisits this formative moment in art history while also reexamining the period from today’s far more global perspective. Others 2, on view from May 25 — August 3, presents work created between 1967 and 1970, some of which was directly influenced by the 1966 Primary Structures exhibition at the Jewish Museum. In addition, Others 2 features a concentration of works from Asia and the artists of the Mona-Ha school, whose minimal forms drew inspiration from Eastern philosophy. The first part of the exhibition, Others 1, on view through May 18, 2014, examines work created between 1960 and 1967.
The pivotal 1966 exhibition Primary Structures was organized by Kynaston McShine, then Curator of Painting and Sculpture at the Jewish Museum, who would later become Curator of Exhibitions of The Museum of Modern Art, New York. Critically acclaimed for its breakthrough approach to this new geometric and formally reductive artistic practice, the ‘66 show also assumed a prominent place in the history of exhibition making by ushering in a new style of presenting ideas and objects in relation to space. Primary Structures focused exclusively on artists based in the United States and Britain.
Half a century later, Other Primary Structures responds to its predecessor by examining the full global reach of this groundbreaking movement via artists who were actively working in similar modes around the world in the 1960s, but who until now have not received significant attention in the United States. Featuring over 25 artists from Latin America, Asia, Africa, the Middle East, and Eastern Europe, Other Primary Structures explores the myriad international manifestations of reduced and abstract geometric sculpture in the 1960s, and suggests the wide range of motivations and influences that contributed to their production.
The first exhibition at the Jewish Museum organized by Jens Hoffmann, Deputy Director, Exhibitions and Programs, Other Primary Structures also examines the legacy of Primary Structures as a landmark of exhibition history. The new show includes oversize archival installation images, a large-scale model of the original exhibition, and an extensive timeline, all recalling the 1966 event. The ten-foot-tall scale model of the Museum as it was in 1966 serves as the focal point for dialogue between the historic show and the sculptures currently on view. Featuring a full recreation of the 1966 Primary Structures exhibition complete with miniature artworks, the model was created with Aurelie Paradiso, part-time faculty at Parsons The New School for Design’s School of Constructed Environments, and a group of her students.
On view from May 25 — August 3, 2014, Others 2 features works created between 1967 and 1970 with a number of works from Asia, where the Mona-Ha school thrived in the later part of the 1960s. While artists in Japan and Korea also used abstract geometric forms, their work primarily drew inspiration from Eastern philosophy and Zen tradition. Others 2 features a number of Mona-Ha artists as well as work by Jirō Takamatsu, who was a teacher and mentor to many of the artists in the group. Highlights include Japanese artist Sekine Nobuo’s 1969 Phase of Nothingness — Water, comprised of two black lacquered steel vessels filled with water, and South Korean artist Lee Ufan’s 1969 Relatum, which employs layers of gesso on canvas to resemble ephemeral sheets of paper.
Others 2 includes a number of works from Latin America that demonstrate the direct influence of Primary Structures on artists from that region. A curator who had seen the Jewish Museum’s exhibition organized Primary Structures II in Buenos Aires in 1967, bringing together local artists working in similar modes. Several artists who participated in that exhibition will be highlighted in Other Primary Structures, including Oscar Bony, David Lamelas, and Juan Pablo Renzi in Others 2.
Also featured in Others 2 is a work by Sudanese artist Amir Nour titled Grazing at Shendi (1969), an abstract rendering of grazing sheep in his native Africa, and Matter on the Move (1969) by Israeli artist Benny Efrat. Shown for the first time in the U.S., Efrat’s work is made of a steel plate placed into a large section of foam that is slowly compressed over the course of the exhibition. Additional artists represented in Others 2 are Yoshida Katsurō, Stanislav Kolíbal, Susumu Koshimizu, Ivan Kožarić, Antonieta Sosa, and Kishio Suga.
The first part of Other Primary Structures, Others 1, on view from March 14 — May 18, 2014, features work created before or simultaneous to the Primary Structures exhibition at the Jewish Museum, with a concentration of works from Latin America. A highlight of this section was Pakistani artist Rasheed Araeen’s large scale 1965 sculpture First Structure, reflecting his political activism in the 1960s and work as a champion of Minimal artists outside the major art centers of New York and London. Also on view are two works by Polish artist Edward Krasiński that were recently discovered in his family home, which are being shown in the U.S. for the first time. Others 1 also features four works by Brazilian artist Lygia Clark, three of which have been re-made for the exhibition by the artist’s foundation. Additional artists in Others 1 include Sérgio Camargo, Willys de Castro, Noemí Escandell, Gego, Stanislav Kolíbal, David Medalla, Hélio Oiticica, Lygia Pape, Alejandro Puente, Norberto Puzzolo, and Branko Vlahović.
Jens Hoffmann has long been interested in the history of exhibitions. He joined the Jewish Museum in a newly created position as Deputy Director, Exhibitions and Programs in November 2012. Formerly Director of the California College of the Arts (CCA) Wattis Institute for Contemporary Art in San Francisco from 2007 to 2012 and Director of Exhibitions/Chief Curator at the Institute of Contemporary Art in London from 2003 to 2007, Hoffmann has organized more than 50 shows internationally including major biennials, most recently the 12th Istanbul Biennial (2011) and the 9th Shanghai Biennial (2012/13). In February 2014, Hoffmann’s book Show Time, the first to explore the recent history of exhibition making and shifts that have taken place in the practice of curating contemporary art over the last 25 years, was published by Thames and Hudson, London and Distributed Art Publishers, New York.
In conjunction with the exhibition, The Jewish Museum has published a two-volume set coupling a reissue of the previously out-of-print Primary Structures book from 1966 with a new companion catalogue for Other Primary Structures, distributed by Yale University Press. The illustrated second volume features an essay by Jens Hoffmann and the transcript of a 1966 symposium held in conjunction with Primary Structures on “The New Sculpture,” featuring panelists Donald Judd, Robert Morris, Kynaston McShine, and Barbara Rose. The Other Primary Structures catalogue is designed by A Practice for Everyday Life, based on the 1966 design by Elaine Lustig Cohen. The two-book set is available worldwide and at The Jewish Museum’s Cooper Shop for $35.
Other Primary Structures is organized by Jens Hoffmann, Deputy Director, Exhibitions and Public Programs. The exhibition design is by A Practice for Everyday Life, London, Feilden Fowles, London, based on the original catalogue design for Primary Structures by Elaine Lustig Cohen. The large-scale model of Primary Structures: Younger American and British Sculptors was created by Aurelie Paradiso, part-time faculty at Parsons The New School for Design’s School of Constructed Environments, students Ariel Gonzalez Millan (M.Arch ‘16), Julia Grunberg (MFA Interior Design ‘16), Sean Jones (BFA Architectural Design ‘16), Brandon Pietras (M.Arch/MFA Lighting Design ‘17), Yunong Zhang (MFA Lighting Design ‘15), and a team from her professional studio.
The exhibition is made possible in part by The Peter Jay Sharp Exhibition Fund.
Endowment support is provided by the Jewish Museum Centennial Exhibition Fund. Additional support is provided by Agnes Gund, The Cowles Charitable Trust, The Artis Grant Program, The Athena Foundation, and a group of donors in memory of James L. Weinberg.
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