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Installation view of the exhibition Revolution of the Eye: Modern Art and the Birth of American Television. The Jewish Museum, NY.
Photo by: David Heald.
Installation view of the exhibition Revolution of the Eye: Modern Art and the Birth of American Television. The Jewish Museum, NY.
Photo by: David Heald.
William Golden (art director), CBS corporate advertisements, 1948 – 59. Fortune magazine.
Andy Warhol, Get Smart cover art for TV Guide, March 5, 1966. © The Andy Warhol Foundation for the Visual Arts, Inc. / Artists Rights Society (ARS), New York
Lee Friedlander, Florida, 1963
Winky Dink and You, Game Book, CBS, c. 1954.
Salvador Dali on What’s My Line?, CBS, 1957
The Joke Wall in Rowan and Martin's Laugh-In, 1970.
Rowan and Martin's Laugh-In book cover, 1968
Installation view of the exhibition Revolution of the Eye: Modern Art and the Birth of American Television. The Jewish Museum, NY.
Photo by: David Heald.
Installation view of the exhibition Revolution of the Eye: Modern Art and the Birth of American Television. The Jewish Museum, NY.
Photo by: David Heald.
Revolution of the Eye: Modern Art and the Birth of American Television is the first exhibition to explore how avant-garde art influenced and shaped the look and content of network television in its formative years, from the late 1940s to the mid-1970s. During this period, the pioneers of American television—many of them young, Jewish, and aesthetically adventurous—had adopted modernism as a source of inspiration. Revolution of the Eye looks at how the dynamic new medium, in its risk-taking and aesthetic experimentation, paralleled and embraced cutting-edge art and design.
Installation view of the exhibition Revolution of the Eye: Modern Art and the Birth of American Television. The Jewish Museum, NY.
Photo by: David Heald.
Installation view of the exhibition Revolution of the Eye: Modern Art and the Birth of American Television. The Jewish Museum, NY.
Photo by: David Heald.
Highlighting the visual revolution ushered in by American television and modernist art and design of the 1950s and 1960s, Revolution of the Eye features fine art and graphic design, including works by Saul Bass, Alexander Calder, Marcel Duchamp, Allan Kaprow, Roy Lichtenstein, Man Ray, Eero Saarinen, Ben Shahn, and Andy Warhol, as well as ephemera, television memorabilia, and clips from film and television, including Batman, The Ed Sullivan Show, The Ernie Kovacs Show, Rowan and Martin’s Laugh-In, and The Twilight Zone.
Revolution of the Eye examines television’s promotion of avant-garde ideals and aesthetics; its facility as a promotional platform for modern artists, designers, and critics; its role as a committed patron of the work of modern artists and designers; and as a medium whose relevance in contemporary culture was validated by the Museum of Modern Art’s historic Television Project (1952-55).
Talk to us: We would like to know what you think of television and modern art. Participate in the survey.
Revolution of the Eye: Modern Art and the Birth of American Television is organized by the Jewish Museum, New York, and the Center for Art, Design, and Visual Culture, University of Maryland, Baltimore County.
The exhibition is curated by Dr. Maurice Berger, Research Professor and Chief Curator, Center for Art, Design and Visual Culture, UMBC, and curator, National Jewish Archive of Broadcasting, the Jewish Museum, New York.
National Tour (through 2017): The Jewish Museum, New York City; NSU Art Museum Fort Lauderdale; The Addison Gallery of American Art, Andover, MA; Center for Art, Design, and Visual Culture, University of Maryland, Baltimore County; Smart Museum of Art, The University of Chicago.
