The Jewish Museum will present Television and Beyond: Workplace Encounters from July 12, 2019 to March 20, 2020, featuring a selection of television clips exploring interactions in the workplace from classics such as The West Wing and contemporary programs like Atlanta and The Marvelous Mrs. Maisel. One of seven sections that make up the Jewish Museum’s third floor collection exhibition, Scenes from the Collection, “Television and Beyond” draws inspiration from the Museum’s National Jewish Archive of Broadcasting.

The Jewish Museum will present Rachel Feinstein: Maiden, Mother, Crone, the first survey of the New York-based artist in the United States, from November 1, 2019 through March 22, 2020. Three decades of Feinstein’s work in sculpture, installation, painting, drawing, and video, as well as a newly commissioned wall-relief, a panoramic wallpaper, and the artist’s sculptural maquettes will be brought together to emphasize her fascination with the dualistic nature of cultural expression and everyday life, how fundamental yet oppositional concepts coexist and are ceaselessly negotiated in art and the construction of identity. From Feinstein’s earliest to her most recent works, female figures and protagonists dominate — a distinguishing feature of both the artist’s practice and this exhibition. Feinstein probes how notions of “the feminine” manifest in the popular imagination, an investigation that pulses through and binds together Maiden, Mother, Crone.

The Jewish Museum presents The Gift: Works from the Barnett and Annalee Newman Foundation Collection, the first in a series of exhibitions drawn from the Foundation’s donation of artworks to the Jewish Museum.

The Jewish Museum will present Leonard Cohen: A Crack in Everything, a contemporary art exhibition devoted to the imagination and legacy of the influential singer/songwriter, man of letters, and global icon from Montreal, Canada. The exhibition will be on view from April 12 through September 8, 2019. Organized by the Musée d’art contemporain de Montréal (MAC), where it debuted, the exhibition is curated by John Zeppetelli, Director and Chief Curator at the MAC, and Victor Shiffman, Co-Curator. Leonard Cohen: A Crack in Everything will embark on a tour, with the Jewish Museum as its first stop. Following its New York presentation, the exhibition will travel to Copenhagen and San Francisco.

The Jewish Museum will present Edith Halpert and the Rise of American Art, the first exhibition to explore the remarkable career of Edith Halpert (1900-1970), the influential American art dealer and founder of the Downtown Gallery in New York City. A pioneer in the field and the first significant female gallerist in the United States, Halpert propelled American art to the fore at a time when the European avant-garde still enthralled the world. The artists she supported — Stuart Davis, Jacob Lawrence, Georgia O'Keeffe, Yasuo Kuniyoshi, Ben Shahn, and Charles Sheeler key among them — became icons of American modernism. Halpert also brought vital attention to overlooked nineteenth-century American artists, such as William Michael Harnett, Edward Hicks, and Raphaelle Peale, as well as little-known and anonymous folk artists. With her revolutionary program at the Downtown Gallery, Halpert inspired generations of Americans to value the art of their own country, in their own time.

The Jewish Museum and the Film Society of Lincoln Center will present the 28th annual New York Jewish Film Festival (NYJFF), January 9–22, 2019. Among the oldest and most influential Jewish film festivals worldwide, the NYJFF each year presents the finest documentary, narrative, and short films from around the world that explore the diverse Jewish experience. Featuring new work by fresh voices in international cinema as well as restored classics, the festival’s 2019 lineup includes 32 wide-ranging and exciting features and shorts from the iconic to the iconoclastic, many of which will be screening in their world, U.S., and New York premieres. Screenings are held at the Walter Reade Theater, 165 West 65th Street, NYC.

The Jewish Museum is presenting Accumulations: Hanukkah Lamps featuring over 80 Hanukkah lamps representing four continents and six centuries of artistic production.  The eight-night holiday takes place this year from sundown on December 2 through sundown on December 10, 2018. One of seven sections that make up the Jewish Museum’s third floor collection exhibition, Scenes from the Collection, “Accumulations” spotlights an aspect of museum collecting: the accumulation of multiple examples of a given work or similar works. The Jewish Museum’s collection of Hanukkah lamps is the largest in the world at nearly 1,050 pieces, and was amassed over the 114 years of the Museum’s existence.  The Hanukkah lamps on view reflect a wide variety of stylistic influences and decorative techniques

The Jewish Museum and the Film Society of Lincoln Center will present the 28th annual New York Jewish Film Festival (NYJFF), January 9-22, 2019. Among the oldest and most influential Jewish film festivals worldwide, the NYJFF each year presents the finest documentary, narrative, and short films from around the world that explore the diverse Jewish experience. Featuring new work by fresh voices in international cinema as well as restored classics, the festival’s 2019 lineup includes over 30 wide-ranging and exciting features and shorts from the iconic to the iconoclastic, of which many will be screening in their world, U.S., and New York premieres. Screenings are held at the Walter Reade Theater, 165 West 65th Street, NYC.

The Jewish Museum will present Leonard Cohen: A Crack in Everything, a contemporary art exhibition inspired by the themes of Leonard Cohen’s life and work. This is the first exhibition entirely devoted to the imagination and legacy of the influential singer/songwriter, man of letters, and global icon from Montréal, Canada.

The Jewish Museum will present Martha Rosler: Irrespective, a survey exhibition of the work of the influential artist Martha Rosler, from November 2, 2018, through March 3, 2019. Rosler is considered one of the strongest and most resolute artistic voices of her generation; she is also a prolific writer, lecturer, professor, and advocate for social justice. She skillfully employs diverse materials to address pressing matters of her time, including war, gender roles, gentrification, inequality, and labor. From her feminist photomontages of the 1960s and 1970s to her large-scale installations, Rosler’s vital work reflects an enduring and passionate vision.

The Jewish Museum presents Untitled (Flora), a new site-specific installation by sculptor Eva LeWitt on view in the Museum’s lobby from November 2, 2018 through March 19, 2019. Eva LeWitt’s primarily abstract work addresses the sculptural concerns of weight and volume and plays with the tension between industrial and hand fabrication. Using soft and pliable, semitransparent and semiabsorptive materials, including acetate, latex, and sponge, she subtly renders variations in tone.  Alongside these formal investigations, LeWitt explores the expressive properties of light, both in the works themselves and in the spaces they inhabit.

The Jewish Museum will offer museum visitors a rare opportunity to explore a little-known chapter in the history of modernity and the Russian avant-garde. On view from September 14, 2018 through January 6, 2019, Chagall, Lissitzky, Malevich: The Russian Avant-Garde in Vitebsk, 1918-1922 will focus on the People’s Art School (1918-1922), founded by Marc Chagall in his native city of Vitebsk (in present day Belarus).  The exhibition explores the extraordinary years following the Russian October Revolution of 1917, during which Vitebsk – a small city with a significant Jewish population – became an incubator of avant-garde art. Through nearly 160 works and documents loaned by museums in Vitebsk and Minsk and major American and European collections, the exhibition will present the artistic output of three iconic figures – Marc Chagall, El Lissitzky and Kazimir Malevich – as well as works by students and teachers of the Vitebsk school, such as Lazar Khidekel, Nikolai Suetin, Ilya Chashnik, David Yakerson, Vera Ermolaeva, and Yuri (Yehuda) Pen, among others. Chagall, Lissitzky, Malevich: The Russian Avant-Garde in Vitebsk, 1918-1922 is organized by the Centre Pompidou, Paris, in collaboration with the Jewish Museum, New York.