Release Date: October 29, 2009
Alias Man Ray: The Art of Reinvention
Opens at The Jewish Museum on Sunday, November 15
Major Exhibition Surveys Artist's Career
New York, NY — A trailblazing figure in 20th-century art, Man Ray (1890-1976) revealed multiple artistic identities over the course of his career — Dadaist, Parisian Surrealist, international portrait and fashion photographer — and produced many important and enduring works as a photographer, painter, filmmaker, writer, sculptor, and object maker. Relatively few people know that he was born Emmanuel Radnitzky to Russian Jewish immigrants. In fact, he spent a lifetime suppressing his background to the point of denying he was ever called anything but Man Ray.
The Jewish Museum will present Alias Man Ray: The Art of Reinvention from November 15, 2009 through March 14, 2010, a major exhibition considering how the artist’s life and career were shaped by his turn-of-the-century American Jewish immigrant experience and his lifelong evasion of his past. The exhibition explores the deliberate cultural ambiguity of Man Ray who became the first American artist to be accepted by the avant-garde in Paris. It also examines the dynamic connection between Man Ray’s assimilation, the evolution of his art, and his willful construction of a distinctive artistic persona, as evidenced in a series of subtle, encrypted self-references throughout his career.
Visitors to Alias Man Ray will be privy to the artist’s endless experimentation in over 200 works including photographs, paintings, sculptures and objects, drawings, films and a selection of his writings. As the first major multimedia Man Ray show at a New York City museum since 1974, the exhibition will present many iconic works like the photographs Le Violon d’Ingres (1924) and Noire et Blanche (1926); the paintings War (A.D. MCMXIV) (1914), The Rope Dancer Accompanies Herself with Her Shadows (1915-16) and La Fortune (1938); and the painted screen La Forêt Dorée de Man Ray (1950). Two short silent films by Man Ray: Le retour à la raison (1923), the artist’s first film, and Emak-Bakia (1926), whose title means “leave me alone,” as well as excerpts from Man Ray: Prophet of the Avant-Garde, a 1997 American Masters/WNET production, will be on view in the exhibition.
Best known as a photographer, Man Ray in fact moved from one medium to another as he defied aesthetic boundaries. The Jewish Museum show does not confine itself to one period of the artist’s career or a single medium, such as photography. This approach is essential to illustrating how Man Ray continuously broke with aesthetic tradition and forged a new artistic identity.
He came of age at the beginning of the 20th century and the rise of abstract art. Man Ray grew up in Williamsburg, Brooklyn. His father worked as a tailor and his mother was a seamstress. After being introduced to New York art circles by photographer and gallery owner Alfred Stieglitz, he went off to Paris — the center of experimental art — and was embraced by the avant-garde. The year was 1921 and Man Ray was 31. In Paris, he was perceived as neither Jewish nor a New Yorker but as a free-thinking American who quickly gained notice.
To make ends meet, he took assignments photographing a broad spectrum of literary and artistic figures. That group now reads like a modernist pantheon — André Breton, Jean Cocteau, Marcel Duchamp, James Joyce, Ernest Hemingway, Marcel Proust and Gertrude Stein, among others. These innovative portraits, all on view in the exhibition, provide a chronicle of the social milieu in which Man Ray thrived.
Man Ray engaged in a constant process of self-inscription and erasure, managing to outwit anyone who wanted to label him. Like his fellow Dadaist and close friend Marcel Duchamp, Man Ray took delight in playing games and confounding expectations. With his steadfast independence and his need to explore every artistic avenue, Man Ray forged a vision that changed the very way art was conceived.
The exhibition has been organized by Mason Klein, Curator at The Jewish Museum. The accompanying 256-page catalogue with 246 illustrations, co-published by Yale University Press and The Jewish Museum, includes essays by Mr. Klein, Merry A. Foresta, and George Baker, with an illustrated timeline by Lauren Schell Dickens presenting the facts of Man Ray’s life in the cultural and historical context of his times. The hardcover book is available at The Jewish Museum’s Cooper Shop and bookstores everywhere for $50.00.
Produced by The Jewish Museum in association with Acoustiguide, a random access audio guide has been created for the Alias Man Ray exhibition. Available to visitors for $5, it features an introduction by The Jewish Museum’s Director Joan Rosenbaum; and critical commentary by curator Mason Klein; Neil Baldwin, author of Man Ray: American Artist; and Man Ray scholar Merry A. Foresta.
Alias Man Ray: The Art of Reinvention is made possible by generous grants from S. Donald Sussman and the David Berg Foundation. Major funding was also provided by the Peter Jay Sharp Foundation, the National Endowment for the Arts, the Eugene M. and Emily Grant Family Foundation in honor of Evelyn G. Clyman, the Anna-Maria and Stephen Kellen Foundation, the Leon Levy Foundation, Ellen S. Flamm, and the Lisa and John Pritzker Family Fund. Additional support was provided by the Neubauer Family Foundation Exhibition Fund and other donors.
The exhibition is sponsored by the Jerome L. Greene Foundation.
The catalogue is funded through the Dorot Foundation publications endowment.
About the Jewish Museum
Located on Museum Mile at Fifth Avenue and 92nd Street, the Jewish Museum is one of the world’s preeminent institutions devoted to exploring art and Jewish culture from ancient to contemporary, offering intellectually engaging, educational, and provocative exhibitions and programs for people of all ages and backgrounds. The Museum was established in 1904, when Judge Mayer Sulzberger donated 26 ceremonial objects to The Jewish Theological Seminary as the core of a museum collection. Today, the Museum maintains a collection of over 30,000 works of art, artifacts, and broadcast media reflecting global Jewish identity, and presents a diverse schedule of internationally acclaimed temporary exhibitions.
The Jewish Museum is located at 1109 Fifth Avenue at 92nd Street, New York City. Museum hours are Saturday, Sunday, Monday, and Tuesday, 11am to 5:45pm; Thursday, 11am to 8pm; and Friday, 11am to 4pm. Museum admission is $15.00 for adults, $12.00 for senior citizens, $7.50 for students, free for visitors 18 and under and Jewish Museum members. Admission is Pay What You Wish on Thursdays from 5pm to 8pm and free on Saturdays. For information on the Jewish Museum, the public may call 212.423.3200 or visit the website at www.thejewishmuseum.org.
Anne Scher/Alex Wittenberg