New York, NY, October 21, 2024— The Tel Dan Stele, a 9th century BCE stone monument fragment containing the earliest mention of the royal House of David outside of the Hebrew Bible, will be on view at the Jewish Museum. On loan from The Israel Museum, Jerusalem, the stone slab's inscription lends archaeological evidence to the existence of the Biblical King David as a historical figure, in parallel with the narrative of the Bible. The Stele will be displayed for a limited time from December 5, 2024, through January 5, 2025, as part of Engaging with History: Works from the Collection, an installation of objects from the Museum’s holdings that illustrates the vibrancy and complexity of Jewish culture across the global diaspora over more than 4,000 years.

New York, NY, October 14, 2024— Draw Them In, Paint Them Out: Trenton Doyle Hancock Confronts Philip Guston examines Philip Guston’s seminal influence on Trenton Doyle Hancock and both artists’ shared commitment to investigating the legacy of white supremacism in the United States. On view November 8, 2024, through March 30, 2025, the exhibition presents the painter Philip Guston (American, b. Canada 1913–1980), the child of Jewish immigrants from Odessa (present-day Ukraine), and Trenton Doyle Hancock (American, b. 1974), a leading Black contemporary artist based in Houston, Texas, in dialogue for the first time. The exhibition explores resonant connections between their work and the role that artists play in the pursuit of social justice.

New York, NY, September 12, 2024—The Jewish Museum presents Engaging with History: Works from the Collection, a selection of rarely exhibited objects from the Museum’s holdings of over 30,000 works, including new acquisitions from artists such as William Kentridge, Joel Mesler, Michal Rovner, and Carrie Mae Weems, and works by Richard Avedon, Vardi Kahana, and Michal Ronnen Safdie on view for the first time. Open from September 13, 2024, through January 5, 2025, the exhibition features more than 30 paintings, sculpture, photography, ceremonial art, and new media that speak to the Museum’s commitment to collecting and exhibiting works by artists from diverse cultures worldwide that resonate with the global Jewish experience. The exhibition also previews the new narrative that will accompany the complete reinstallation of the Museum’s collections that will open in the fall of 2025, following the transforming renewal of the Museum’s third and fourth Floors, which is currently underway.  

New York, NY, August 14, 2024—The Jewish Museum will present Ilit Azoulay: Mere Things, the first U.S. solo museum exhibition dedicated to the work of interdisciplinary artist Ilit Azoulay (Israeli, b. 1972; lives and works in Berlin), from September 13, 2024, through January 5, 2025. The exhibition features selections of Azoulay’s work from 2010 to the present, showcasing large scale digital photocollages of archival objects that explore how images and objects transmit knowledge, shape memory, and support or undermine historical narratives.  The presentation includes a new work that responds to the collections and context of the Jewish Museum, as well as selections from the series Queendom (2022), first presented as part of Azoulay’s solo exhibition for the Israeli Pavilion at the 59th Venice Biennale in 2022.

New York, NY, July 29, 2024 – The Jewish Museum today announced that its Board of Trustees has elected philanthropist Shari Aronson as Chair of the Board, and that Sander M. Levy and David Shapiro will serve as Board Co-Presidents. Ms. Aronson has been a member of the Museum’s Board of Trustees since 2011 and was instrumental in the creation of its Young Patrons program, which engages young professionals interested in art and Jewish culture. Mr. Levy, Managing Member of Lakeside Capital Holdings, is the former Board Vice President and has been a Museum Trustee since 2020; and Mr. Shapiro, a partner in the Corporate Department at Wachtell, Lipton, Rosen & Katz, is the former Board Secretary and a Museum Trustee since 2020. Additionally, the Museum appointed two new trustees, private investor Marc Abramowitz and philanthropist and publisher Cassie Arison.

New York, NY, May 21, 2024— The Jewish Museum announced today that it is embarking on a major reinvention of its third and fourth floors, transforming half of the Museum’s public space. Opening Fall 2025, the project includes the renewal of the Museum’s education facilities on the fourth floor as a center for teaching and learning in gallery settings and their dynamic connection to the third floor, which will feature an innovative presentation of works from the collection that tell stories about the vibrancy and complexity of Jewish culture over more than 4,000 years. This project reflects a new vision that places teaching and learning at the center of the Museum’s activities and will build capacity for the Museum’s far-ranging exhibitions and public programs, presenting the work of artists and thinkers from diverse cultures worldwide to stimulate dialogue and promote understanding.

New York, NY, May 9, 2024—The Jewish Museum presents Overflow, Afterglow: New Work in Chromatic Figuration, on view from May 24 through September 15, 2024. New works in painting, sculpture, and installation by Sula Bermúdez-Silverman, Sasha Gordon, Sara Issakharian, Chella Man, Ilana Savdie, Austin Martin White, and Rosha Yaghmai exploree how supernatural color and uncanny luminescence challenge the boundaries of traditional figuration. The exhibition highlights the figure’s malleability and continual metamorphosis, expressing the lived experiences of a multiethnic, multiracial, and otherwise multifaceted group of makers.

New York, NY, April 22, 2024—The Jewish Museum presents Frederick Kiesler: Vision Machines, a concise yet rich examination of Frederick John Kiesler’s (1890-1965) experimental design practice through the activities of his Laboratory for Design Correlation at Columbia University from the late 1930s to the early 1940s. The output of Kiesler’s Laboratory included research, design studies, and drawings that probed the possibilities of his theory of biotechnique, while reflecting on the relation between, design, energy, and the human body (it’s posture, respiration rates, and image consciousness). The exhibition highlights two of Kiesler’s most essential and ambitious projects developed at the Laboratory: the Mobile Home Library and the Vision Machine. Together these projects illustrate the fantastical scope and applications of Kiesler’s Correalism: a design approach he conceived to “express the dynamics of continual interaction between man and his natural and technological environments.” The exhibition is on view from April 25 through July 28, 2024.

New York, NY, April 8, 2022— The Jewish Museum’s 38th Annual Purim Ball, held at The Plaza on Tuesday, April 2, 2024, raised a record $3.45 million for the Museum. Approximately 1,250 guests were in attendance for the festive dinner and the After Party hosted by the Jewish Museum’s Young Patrons. This year’s Purim Ball honored William D. Zabel, a pioneering attorney and champion of human and civil rights, who was recognized for his contributions to arts and culture, and Marta Minujín, the celebrated Argentine artist whose solo exhibition just closed at the Jewish Museum, who was honored for her 60-year legacy of exuberance and activism through art. The event also celebrated the Museum’s 120th anniversary.

New York, NY, March 28, 2024—The Jewish Museum has announced its schedule of exhibitions through the Spring of 2025, including Jim Dine’s Hiroshima series; a concise examination of Frederick Kiesler’s experimental design practice; new work by seven emerging artists; the first U.S. museum exhibition of visual artist Ilit Azoulay; Trenton Doyle Hancock’s works presented together with those by Philip Guston; and the Book of Esther as it was depicted in the age of Rembrandt. 

New York, NY, February 27, 2024—The Jewish Museum will present Frederick Kiesler: Vision Machines, a concise yet rich examination of Frederick John Kiesler’s (1890-1965) experimental design practice through the activities of his Laboratory for Design Correlation at Columbia University from the late 1930s to the early 1940s. The output of Kiesler’s Laboratory included research, design studies, and drawings that probed the possibilities of his theory of biotechnique, while reflecting on the relation between, design, energy, and the human body (it’s posture, respiration rates, and image consciousness). The exhibition will highlight two of Kiesler’s most essential and ambitious projects developed at the Laboratory: the Mobile Home Library and the Vision Machine. Together these projects illustrate the fantastical scope and applications of Kiesler’s Correalism: a design approach he conceived to “express the dynamics of continual interaction between man and his natural and technological environments.” The exhibition will be on view from April 25 through July 28, 2024.

New York, NY, December 20, 2023—The Jewish Museum is open on Monday, December 25 from 11 am to 4 pm. Highlights this year include the special exhibitions Marta Minujín: Arte! Arte! Arte! and Mood of the moment: Gaby Aghion and the house of Chloé; new installations on the Museum's third floor; and Nefesh Mountain in concert.